One of “Life’s Treasures”: Developing the Truest Form of Friendship through Art 

Gauguin's painting of his good friend Vincent van Gogh working on his famous painting of sunflowers.

Many people wish they could make beautiful things. However, people acknowledge that being an artist is an undeniably vulnerable task that requires truthfulness of expression and, as artist Henri Matisse proposes, takes courage. In the post, Miss Teska explores how prioritizing the arts in classical education can lead students to recognize beauty in their daily lives and orient their actions toward good. Practicing the virtue of friendship, or seeking virtue together, is essential to this end. Miss Teska offers some suggestions for how to cultivate the virtue of friendship in the art classroom.

Is “real” always better when it comes to art? 

Seurat's pointillism painting of individuals enjoying an afternoon on green grass next to a body of water.

As young aspiring artists, students often ask questions like, "How can I make this look real?" because they measure their success and growth in art based on how realistically they captured the subject of their piece. In this post, Miss Teska explains how the seventh-grade art curriculum continuously explores art that moves toward abstraction and away from realism, offering an opportunity for students to witness new art styles and begin to curate a style of their own.

Art and Our Homelessness

"To spend our lives ignoring the reality of this world and the goodness that can be experienced in it (trying and full of strife as it is), would not be good, nor would it satisfy us. But to live entirely as if this world is the end and dismiss the longings of our souls for something beyond material existence will not resolve the questions in our hearts either." Read this post to explore these coexisting truths in the context of art.

Michelangelo’s David and Teaching Sculpture: A Conversation with Prof. Anthony Frudakis

Why do we study the fine arts, and how should K-12 schools cultivate a love and understanding of great art among their students? How should we study sculpture in particular, and what makes the great sculptors so excellent? How should we study Michelangelo's David in particular? Dr. O'Toole had a fascinating conversation with Prof. Anthony Frudakis, Associate Professor of Art at Hillsdale College on Michelangelo's David and why we study sculpture. Enjoy!

The Power of a Demonstration

There are a number of mistakes I have made teaching throughout the years, but I think perhaps the biggest was not providing enough studio demonstrations when I first started teaching art. Back then I had a fear that my demonstrations would not turn out well and I would lose credibility with the class if they… Continue reading The Power of a Demonstration